Thursday, December 27, 2007

where the sugarcane grew

Death smells like sugarcane burning. This thought crosses Yayo's mind, as he lies in bed alone in the early-morning darkness. It's hot and humid in the bedroom, and the only thing coming through the screened window is the soft glow and hum of the streetlights. Curled up with his knees to his chest, Yayo looks like a boy, if not for the thinning white hair on his head and the age spots on his wrinkled skin. He wears a wifebeater, boxers, and socks (since childhood, he can't sleep without something covering his toes). When was the last time he smelled caƱa burning, he wonders. Sixty, seventy years ago? Yayo can't remember. If the memory still exists, it's now part of the dust cloud in his brain, each speck a face, a name, a place he's forgotten over the years. It's not Alzheimer's, his doctor assured him last year, forgetting is normal for someone your age. But is forgetting the same as not remembering?

Yayo's tongue feels heavy and foreign in his mouth, as if a small mouse had climbed in during the night. There's a glass of water on the nightstand, and Yayo fixes his eyes on it until the water turns to a hazy afternoon sky, and the bed and pillow become a santero's black hands, his sweaty fingers wrapped around Yayo's newborn head and body, swaying him back and forth, back and forth, as he dashes madly through an open field. Pressed against the santero's chest, Yayo smells onions, tobacco and pig's blood, and he hears the frantic beating of a heart, and the frantic screams of a woman carried by the wind.

I'm going crazy, Yayo whispers to himself, not knowing that his mind was simply playing back his earliest memory: a few days after his birth, when the santero Cachao climbed through an open window and snatched him from his parent's bedroom while his mother prepared a bath for herself. "It was the dog that saved you," his mother would tell him many years later. "If Luna hadn't barked herself into a frenzy, I would have slid into that tub and you would have been raised by animals." Instead, Mirta ran half-naked into the bedroom, fearing the dog was mauling the boy in a fit of jealousy. What she saw instead was Cachao straddling the window, one leg outside, one leg inside, and Yayo clutched against his chest. Mirta screamed so loud, the world outside fell silent and still, and for a split second, Cachao sat motionless on the sill, like an animal that suddenly finds itself the prey. Mirta lunged towards him, but Cachao was too quick, and the next thing she remembers is running after him through the malanga field, screaming sueltalo! sueltalo!, wearing only her panties, and her bare breasts, large and heavy with milk, bouncing wildly together.

What saved the boy wasn't the dog, but their neighbor Jose, who was packing his horse to go hunting. When he heard the screaming and saw the chase at the other end of the field, Jose grabbed his rifle and started running in their direction. But when he realized he would never get to them in time, he stopped and fired the rifle into the air. A single bullet is all it took for Cachao to give up the boy, setting him down on the hot, dry ground, and he ran to the edge of the field, to where the sugarcane grew, and disappeared forever through the giant stalks.

Mirta found Yayo screaming, his little round face as red as a ripe tomato. She dropped to her knees and picked him up, pressed her cheek against his, and cried uncontrollably for what seemed like an eternity. She then latched Yayo to her breast, and he sucked vigorously for a few minutes, until he fell into a deep sleep that lasted all day and all night.


Yayo won't sleep anymore tonight. He hasn’t slept more than a couple of hours a night since he turned into a ceiba tree in a dream, bursting through the living room floor of the shanty old house in Cuba where he grew up. His trunk and branches tore through the house like a solid tornado, tossing furniture and buckling the walls, and when the devastation was over, the palm-thatched roof was gone, replaced by Yayo’s majestic canopy high above the ground. There were no people in the dream, nothing else living. This was either the beginning or the end of the world. Yayo could feel the air molecules around the tips of his branches electrify, and he screamed in fear, but the sound remained trapped inside him, growing louder and louder as it bounced off his inner trunk. Seconds later, Yayo awoke in a burst of light.



As he reaches for the water on the nightstand, another thought crosses Yayo's mind: Maybe dying isn't about not waking up one day; it's about staying awake forever.


*****

Thursday, August 23, 2007

Where the boracho used to sleep

Damn its hot, Ezra mutters to himself, and starts walking towards the bodega, rolling his travel bag behind him. When he was a kid, he used to walk to school this way, pretending to be an astronaut, riding solo in an invisible rocket ship. Sometimes he would leave the ship and go for a space walk, bounding from square to square, with just enough oxygen in his backpack to make it to school.

Ezra stops in front of the doorway where the boracho used to sleep. The doorway is clean and freshly painted, with a thick glass door and a long, brightly-lit hallway behind it. On his spacewalks, this was a vacant building, except for the musty drunk who slept in the covered space between the the cinder block door and the sidewalk.

Monday, August 20, 2007

Yellowed Wifebeater

The cabbie drops Ezra off on Hicks Street, right in front of what used to be Pizza Royale. Now its a laundromat, where a skinny old man in a yellowed wifebeater yells something in Italian to a redhead standing, eyes closed, arms spread like an eagle, in front of a fan.

Thursday, August 16, 2007

The heat or the music

It's bumper to bumper on the BQE. Ezra sits in a cab, sweating in his dark wool suit. The a/c is busted and the windows are rolled down. Nothing but hot air coming in, and salsa music blaring from a Honda three cars back. Ezra stares at the purplish birthmark on the driver's bald head. Maybe its the heat or the music, but the mark looks like a Caribbean island to him, surrounded by a dirty, rusty ocean; the few hairs that grow from it, barren trees.

"Get off at this next exit," Ezra tells the cabbie.

The cabbie turns his head, wants to make sure that he heard correctly. "You want me to get off here? But the airport is this way," he says, somewhat annoyed and pointing straight ahead, where the backup has no end.

"Yes, get off here," Ezra tells him, dialing his cell phone. "Forget about the airport, I want you to take me somewhere else."

Wednesday, August 15, 2007

Beeney Made Me Do It

Hello?


Is this working?


Here I go...



Climb my family tree and at the very top you'll find a supermarket. A bodega, actually. If you stand across the street, the first thing you notice is the large green awning flapping in the wind. Across it, in faded white letters, you read "Aguada Supermarket" and "Fre Delivery." Was the 'e' always missing, you wonder, or did it fade away? You also notice the large rectangular windows, but you can't see inside. Cans and boxes are stacked against the windows, along with white cardboard posters announcing, in scribbled blue magic marker, that Goya beans are 3 cans for $1.00 this week.

Inside is my father, squeezing an avocado, gently, with his fingertips. This one is good, he says to the woman in the flowered sundress, but eat it tonight, don't wait. She thanks him and walks away, hips swaying, avocado in the basket.